How Shakespeare Helped Me Get My Groove Back

How Shakespeare helped me get my groove back.
He totally is…

This school year brought a lot of new responsibilities and a lot of changes to my position. I was sharing a room. I was doing more math intervention, which is an interesting challenge, but definitely isn’t my strength. I was teaching a pull-out intervention class to 5th graders. Fifth graders are cute, but definitely not my favorite grade. I felt like I wasn’t making progress with any of my students. I could feel myself slipping into a pattern with my math interventions where I would learn about new strategies for math intervention, try them once or twice, and then slip back into what I was used to (yes, I am absolutely a Conscious Stage teacher when it comes to math intervention). I knew it was happening, but felt powerless to stop the cycle. For the life of me, I couldn’t figure out the best way to manage the behaviors of my 5th graders–all of whom had different needs, both academically and social-emotionally–and it was definitely making it difficult to deliver appropriate interventions. They weren’t making progress and I was worried I wasn’t supporting them.

I just felt frustrated and stuck.

I was also coteaching for the first time. I liked my time in the classroom and I love my coteacher Drew. But the unit we were working on at the beginning of the year wasn’t something either of us was really excited about and neither of us felt like we had a voice in the planning process. Honestly, I wasn’t sure what we wanted out students to know, understand, and do, and was just doing my best to infuse appropriate writing skills instruction into the unit.

And then, Shakespeare showed up. Specifically, Romeo and Juliet. Drew had done a Folger Ed workshop (taught by another amazing colleague, Gina) over the summer and was really excited to teach Shakespeare through performance. I was nervous. Because, you guys, R&J is really dirty. And we’re teaching 8th grade English. I also had to unexpectedly fly solo for the intro lesson. I was terrified.

But it turned out great:

And all of a sudden, I was feeling that high that comes from a great lesson with a room full of engaged students.

I stood in class trying to keep a straight face as kids began asking questions like “Mr. Murphy, what’s a maidenhead?”

Or:

“When he says ‘thrust maids to the wall’ he means…”

“Exactly what you think he means.”

“Ohhhhhhh…”

And then started having amazing, deep conversations about the role of women during Shakespeare’s time and how awful it was that Samson and Gregory weren’t really worried about raping Montague women, but were terrified of getting into an argument with Montague men. Because the second one is the thing that will get them hung.

They were interested and excited. And so was I.

They were engaging in close reading of Shakespeare without eye rolling.

They were on their feet and acting and directing.

 

Up on our feet performing and directing Shakespeare

And I was walking into school with a much more positive outlook. I was looking forward to English class, to planning with Drew. I was even looking forward to grading paragraphs about Romeo and his take on love in Act 1.

Now I’m even ready to dive into researching math interventions and trying out new strategies for my 5th graders. It’s amazing what one unit can do.

Have you had a time when you felt burned out and like you weren’t accomplishing what you wanted to in the classroom? How did you get your teaching groove back?

Student Voice and SRSD

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I use SRSD (Self-Regulated Strategy Development)  as my primary way of teaching writing to my students. There are a lot of reasons why I love it. It’s research validated. It connects easily to whatever type of writing instruction is happening in their classrooms–workshop models, process writing, etc.–so the skills they learn are easily transferred. It provides just the right amount of structure for students who need it, while not being constricting for students who don’t (check out the article in AMLE Magazine by Pooja Patel & Leslie Laud for more info). The best part, though, is that it’s flexible. We’ve been working on close reading for a while and I’ve asked students, as part of Sunday Cummins‘s model of close reading, to follow up their reading with a written response. Of course, I used the familiar TIDE organizer that we’ve been using all year, but the results weren’t what I had hoped.

We had done everything right. We had discussed the strategy. I worked with them to develop their background knowledge, and made connections between our work with close reading and our work with using TIDE to help us plan and organize paragraphs. We set goals. I modeled, both by looking for the parts of the paragraph in a model piece of writing and by using the active board to model writing a response. I modeled my own positive self-talk as I wrote. And I provided supports and scaffolds. Their writing still didn’t make the connections and inferences I wanted them to make, so I decided to turn it over to them. And they took me somewhere really amazing.

students creating a poster for writing about close reading

I asked them to make a poster that would teach someone else about how to write about close reading, and to use a metaphor to do it (an idea I got from Pete Hall at the BTCFS workshop). Writing about close reading, they said, was like an iceberg. Above the water, they said, is the main idea, supported by the “pasta words” (what Cummins calls the important details). Under the water, they told me, was the synthesis–the conclusions they draw that can’t be found directly in the text. After they made their iceberg, they added images to help them. A boat called the S.S. Annotation to remind them to use what they had written on the text to help them identify the pasta words and to remind them to use their “I wonder…” annotations to help them make connections and draw conclusions. They also added an airplane (with flaming jet engines, of course), where they wrote what makes a good main idea. They added post-its to explain all of the parts, and then explained their new strategy to a colleague of mine from the ELL department who happened to be walking by the classroom.

Using SRSD with close reading

The next class when we went to work on writing, it was a huge change. They had ownership of the type of writing I was asking them to do, and of the strategy I had asked them to employ. When we went through the modeling and practice, and the results were so much better than the first time. All because they took over defining the parts of the text themselves. They had the background knowledge, I just needed to find a way to empower them make the connections between the two topics that would help them take ownership of their writing.

close reading & SRSD

 

They really came up with something great.

How do you empower your students to make connections and take ownership of their learning?

Close Reading for Intervention

Close reading guided practice
Guided practice with close reading on the interactive whiteboard

I mentioned in some earlier posts that this summer I did a workshop with Pooja Patel on integrating close reading strategies with writing from sources. One of the great things about doing presentations like this is the amount of research one does beforehand (especially when one has the opportunity to just say “I want to learn more about this. I’l do a presentation). I had dabbled in close reading, the way you do in a middle school English class, but mostly in large group settings, but hadn’t really approached it in a systematic way. In order to prep for the presentation, I delved further into the book Close Reading of Informational Texts by Sunday Cummins and into the article from  Journal of Adolescent and Adult LiteracyClose Reading as an Intervention for Struggling Middle School Students by Douglas Fisher and Nancy Frey. Before reading these texts, I didn’t really see how close reading could benefit everyone. I had focused on it as a strategy for general education classes, rather than one that could have significant benefits for ELLs and students with LD. Now that I’m implementing it, my struggling readers have really taken to the strategy, and are beginning to synthesize what they read.

I started the year by slowly and intentionally introducing and then integrating the strategies that Dr. Cummins discusses in her book: accessing and applying prior knowledge of text structure and content vocabulary, setting a purpose for reading, self-monitoring for meaning, determining importance, and synthesizing. I’ve just introduced students to determining importance, and we’re working our way toward some explicit instruction in synthesis. We’re working on reading through our first short texts integrating these skills now. I thought they would be more resistant to repeated readings, but they have been enjoying reading about unusual animals and keep getting more out of the text each time they read.

Close Reading Skill: Questioning

After the quick overview of synthesis Dr. Cummins recommends, I began by teaching questioning as a way to support students’ self-monitoring skills. I decided to deviate from her sequence for a number of reasons, but most importantly, because self-monitoring was a skill that came up over and over again in my students’ IILPs (like IEPs, but for International Schools), and I noticed from my initial assessments that students experienced difficulty differentiating between explicit and implicit questions. After an introduction to QAR and a great deal of guided practice with asking, classifying and answering questions, students were beginning to use questioning to help them monitor their own comprehension. A few even transferred (!) the strategy to classes outside of learning support.

Close Reading Skill: Previewing
Using TELL to preview a text before close reading
Anchor chart for the TELL strategy (Cummins, 2013)

We used the strategy TELL (Cummins, 2013) to help students tap into their knowledge of text structure and to help set a purpose for reading. Both skills were taught explicitly in separate lessons. I’ve used previewing strategies before and have spent time with struggling students teaching text structures, but teaching it with the goal of close reading in mind opened up the strategies in ways I hadn’t considered. Students aren’t just using text features and structures as a guide to help them build schema and organize facts from the informational text, they’re actually starting to have conversations about why authors would choose specific text features or formats. For example, in a text by Nic Bishop that we read, they pointed out that it seemed like a journal because there were dates in the subheadings. As we read, they even asked a really insightful question: “Why does the author use I instead of writing it like a ‘normal book’?” After some discussion they decided that the author wanted to let us know that he had really experienced these things, and that maybe he had wanted to draw the reader in and make him or her more curious about animals.

Students are also better able to set purposes for reading after previewing, which helps them to decide what is important. They made their predication about what the text would be about individually and then we discussed the different predications and came up with one that worked for all of us (see below). Using this, we were able to set a purpose for reading as a group.

Close Reading Strategy: Determining Importance
Close reading guided practice
Our close reading guided practice hanging on the wall.

Our most recent lesson focused on determining importance. I love Dr. Cummins’ introductory lesson about separating the “pasta” words from the “water” words. It actually worked quite well with my students. Using our purpose as a jumping off point, I modeled how to pick out the important information (see above). Today, students worked on finding it independently and we shared our annotations on the interactive whiteboard and made our first try at composing a summary. Again, I found it really interesting the things that showed up in their summaries. We’ve worked on summarizing before, but this is the first time that they’ve  written in response to a text that contains more synthesis than summary. Their description of the glass frog was peppered with statements like “We wonder how it eats moths and flies if it is only the size of a bean,” and “We think it developed this adaptation to hide from predators.” Granted, this was a scaffolded, guided task, but I’m seeing changes in the way they look at texts.

Have you used close reading with your classes? What advice would you have for next steps?